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So, as (in most cases at least) our hero wants to survive the adventure, our intention is to avoid detection and escape from the opponents that are hunting us. In the game our main protagonist will become the hunted prey. Red Barrels studio is responsible for both parts. As such, the article provides analytical tools for studying how pop-cultural metaphors are used as ‘premediations’ - that is, as tools for practical governance in relation to both current and future threats - and for studying the potential implications that comes from such premediations, a term discussed below.The game that is being described in here right now – Outlast II (FPP) on PC, XONE, PS4 and Switch – is a continuation of hit survival horror, thanks to which you will finally learn how the fear that is eating your mind from the inside really looks like. While much has already been said about the zombie, this article adds to the current body of knowledge on the subject by looking at how the zombie metaphor has been applied for governing purposes.

More specifically, it looks at how the zombie has been used to promote the necessity for ‘preparing’ for the future in specific ways. How and why is the zombie metaphor applied in efforts that seek to alert citizens to and prepare them for potential threats and disasters? And what are the consequences of applying this specific metaphor in attempts to govern populations? This article examines the real-world political implications that come from the recurring adoption of a particular pop-cultural figuration as a guiding, and sometimes even governing, metaphor.

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